Another slightly rainy day …
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Montparnasse became famous in the 1920s, referred to as les AnnĂ©es Folles (the Crazy Years), and the 1930s as the heart of intellectual and artistic life in Paris. From 1910 to the start of World War II, Paris’ artistic circles migrated to Montparnasse as alternative to the Montmartre district which had been the intellectual breeding ground for the previous generation of artists. The Paris of Zola, Manet, France, Degas, FaurĂ©, a group that had assembled more on the basis of status affinity than actual artistic tastes, indulging in the refinements of Dandyism, was at the opposite end of the economic, social, and political spectrum from the gritty, tough-talking, die-hard, emigrant artists that peopled Montparnasse.
Virtually penniless painters, sculptors, writers, poets and composers came from around the world to thrive in the creative atmosphere and for the cheap rent at artist communes such as La Ruche. Living without running water, in damp, unheated "studios", seldom free of rats, many sold their works for a few francs just to buy food. Jean Cocteau once said that poverty was a luxury in Montparnasse. First promoted by art dealers such as Daniel-Henry Kahnweiler, today works by those artists sell for millions of euros.
In post-WWI Paris, Montparnasse was a euphoric meeting ground for the artistic world. Fernand LĂ©ger wrote of that period: â€śmanâ€¦relaxes and recaptures his taste for life, his frenzy to dance, to spend moneyâ€¦an explosion of life-force fills the world.â€ť  They came to Montparnasse from all over the globe, from Europe, including Russia and Ukraine, from the United States, Canada, Mexico, Central and South America, and from as far away as Japan. Manuel Ortiz de ZĂˇrate, Camilo Mori and others made their way from Chile where the profound innovations in art spawned the formation of the Grupo Montparnasse in Santiago. A few of the other artists who gathered in Montparnasse were Pablo Picasso, Guillaume Apollinaire, Ossip Zadkine, Carmelo Gonzalez, Julio Gonzalez, Moise Kisling, Jean Cocteau, Erik Satie, Marios Varvoglis, Marc Chagall, Nina Hamnett, Jean Rhys, Fernand LĂ©ger, Jacques Lipchitz, Max Jacob, Blaise Cendrars, Chaim Soutine, James Joyce, Ernest Hemingway, Michel Kikoine, Pinchus Kremegne, Amedeo Modigliani, Ford Madox Ford, ToĂ±o Salazar, Ezra Pound, Max Ernst, Marcel Duchamp, Suzanne Duchamp-Crotti, Henri Rousseau, Constantin BrĂ˘ncuČ™i, Paul Fort, Juan Gris, Diego Rivera, Federico CantĂş, Angel Zarraga, Marevna, Tsuguharu Foujita, Marie Vassilieff, LĂ©on-Paul Fargue, Alberto Giacometti, RenĂ© IchĂ©, AndrĂ© Breton, Alfonso Reyes, Pascin, Salvador DalĂ, Henry Miller, Samuel Beckett, Emil Cioran, Reginald Gray, Joan MirĂł, Hilaire Hiler and, in his declining years, Edgar Degas.
Posted by >Catherine M Anderson on 2014-10-19 02:56:33